If you have […] The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). Although this behaviour keeps consistency with the input encoder, I found the press-and-hold action for mute annoying, because I would use mute all the time, whereas selection of headphone outputs was something I rarely (if ever) needed to do. Get the Symphony/Rosetta 800 and be done with it. If you need pres on a budget, get something like the Mackie onyx (the 8pre rackmount one) or something equivalent like the presonus digimax fs. Monster Studio Pro 1000 cable pretty much in and out of everything. Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. You buy a card with that much DSP on it and with that high of a price tag, you're buying it to help support your computer's CPU, not rely on it. Brenner, known for his score to the award-winning short film The Death of Salvador Dali, premiered his work alongside the […] Question: Q: Apogee Ensemble vs Apogee Duet. Maestro features full Ensemble functionality control, multiple low-latency mixers, hardware control panels and an input/output routing matrix compatible with Rosetta 800, Rosetta 200, AD-16X and DA-16X. When connecting both Symphony I/Os and legacy Apogee interfaces to a Symphony 64 PCIe card or Thunderbridge, connect the Symphony I/O to Port 1 Channels 1-32 port and legacy interfaces (in a supported combination) to the Port 2 Channels 1-64 port. Ask Apogee - Symphony I/O vs. Quartet and Duet Apogee Electronics. Dual G5 2 ghz. This would have made the unit look a little more at home on your desk, if it's not in a rack, and stop it from snagging on a bag when being packed up for mobile usage. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. One routing improvement that's been made since our last review is that it's now possible to route one hardware input to multiple software inputs, and, similarly but perhaps more usefully, it's also now possible to route one software output to multiple hardware outputs. Instead, the Mobile features an XLR4 port so that it can easily be connected to a DC power source, and is conveniently supplied with an external AC to DC power supply having a regular IEC connection for when you're not in the field. Apogee Symphony Desktop 10x14 USB-C Audio Interface 10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS Pressing and holding the encoder again will release the mute. This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. The competition in the Firewire audio interface market is fierce these days, no matter what your budget, and the most obvious competition for the Ensemble is perhaps RME's Fireface 800, Metric Halo's Mobile I/O and Prism's Orpheus. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. Finally, Metric Halo's Mobile I/O 2882 is a bit cheaper, but is the oldest of the interfaces and doesn't support 176.4/192kHz sample rates. I thought sound quality they would be the same. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. (Review) - Duration: 10:06. iPad Beat Making 1,551 views. According to Apogee, the majority of Ensemble users don't experience this issue, but Apogee are aware of it and are working with Apple to find a resolution. I’ve been using the Symphony I/O Mk II for several weeks now and it sounds stunning. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Apogee Ensemble | Full Specifications: Sound Type: Stereo, Analog 3.5mm output: 8, Analogue RCA outputs: 0, Headphone output: yes, I think that reference above was made before the new high performance drivers were available. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. It's about a thousand bucks more for a rosetta200/symphony combo plus a pre, over the ensemble. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. You may login with either your assigned username or your e-mail address. A version with onboard DSP effects is also available for roughly the same money. Answer: No. In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. On connecting one of the Ensemble's analogue outputs to one of the analogue inputs and recording a test signal (a click), I noticed that the input signal would be placed as if it was recorded before it was technically played. In my case I was considering a similar choice. Web site designed & maintained by PB Associates & SOS. Can I reduce latency when using Dante Via and Cubase? Output settings such as speaker set selection, mute, dim, sum to mono Complete input/output control with Apogee Control software Works with Pro Tools, Logic, … While this is functionally no different to using Maestro in conjunction with any audio application, the neat thing is that the settings for the Apogee Control Panel in Logic are stored with your Project. One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. IMO, well worth it. Once successfully connected, you can set the Ensemble to be the default audio input and output for your Mac in either Audio MIDI Setup or the Sound System Preferences Panel. If that's anywhere near true about the G5, then Apogee must not have been testing that G5 with a taxed system in the way of plug-ins and VIs, because no way was I able to get buffers at 128 or lower on my Symphony/Rosetta/Quad G5 system. I create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a stereo pair at a time. Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. Symphony 32 PCI is not supported with Symphony Release 4.2 or Mac OS Lion (10.7). There are also phase-invert and 48v phantom power toggles, and you can also set whether to disable a preamp and use line level for an input instead. USB Mics - We Figured Out Which One You Should Buy? To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. Sonic Differences: Apollo 8 TB VS Apogee Symphony MK2 I am trying to get a feel for the discernable audio differences from any folks who have used both. All four inputs have both XLR and high-Z (high impedance) TRS connectors, although the high-Z inputs for the first two channels are usefully located on the front of the Ensemble, which makes room for the additional send and return insert TRS connectors Apogee have provided for the first two channels on the back. Again, this might not be important to you, and Apogee's focus is clearly on providing best-in-class audio functionality; but it does seem a shame that for mobile use you may need to pack a MIDI interface alongside the Ensemble. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). The mic preamps are equally impressive. The input encoder allows you to set the gain for the mic preamp on the currently selected input, and you can set the current input by pressing the input encoder, which toggles through a set of blue LEDs to the right that indicates the selected input. Also featured on the front panel are two rotary encoders, one for controlling input levels and the other for output, and each show level via a ring of bright white LEDs. As I said before, both devices are very similar when it comes to hardware.
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